What You'll Wish You'd Known⁠↗

You don’t need to be in a rush to choose your life’s work. What you need to do is discover what you like. You have to work on stuff you like if you want to be good at what you do.

The world changes fast, and the rate at which it changes is itself speeding up. In such a world it’s not a good idea to have fixed plans.

In fact I suspect if you had the sixteen year old Shakespeare or Einstein in school with you, they’d seem impressive, but not totally unlike your other friends. Which is an uncomfortable thought. If they were just like us, then they had to work very hard to do what they did. And that’s one reason we like to believe in genius. It gives us an excuse for being lazy. If these guys were able to do what they did only because of some magic Shakespeareness or Einsteinness, then it’s not our fault if we can’t do something as good.

Instead of working back from a goal, work forward from promising situations. This is what most successful people actually do anyway.

In the graduation-speech approach, you decide where you want to be in twenty years, and then ask: what should I do now to get there? I propose instead that you don’t commit to anything in the future, but just look at the options available now, and choose those that will give you the most promising range of options afterward.

It’s not so important what you work on, so long as you’re not wasting your time. Work on things that interest you and increase your options, and worry later about which you’ll take.

Look for smart people and hard problems. Smart people tend to clump together, and if you can find such a clump, it’s probably worthwhile to join it. But it’s not straightforward to find these, because there is a lot of faking going on.

The best protection is always to be working on hard problems. Writing novels is hard. Reading novels isn’t. Hard means worry: if you’re not worrying that something you’re making will come out badly, or that you won’t be able to understand something you’re studying, then it isn’t hard enough. There has to be suspense.

If I had to go through high school again, I’d treat it like a day job. I don’t mean that I’d slack in school. Working at something as a day job doesn’t mean doing it badly. It means not being defined by it. I mean I wouldn’t think of myself as a high school student, just as a musician with a day job as a waiter doesn’t think of himself as a waiter. [3] And when I wasn’t working at my day job I’d start trying to do real work.

You may be thinking, we have to do more than get good grades. We have to have extracurricular activities. But you know perfectly well how bogus most of these are. Collecting donations for a charity is an admirable thing to do, but it’s not hard. It’s not getting something done. What I mean by getting something done is learning how to write well, or how to program computers, or what life was really like in preindustrial societies, or how to draw the human face from life. This sort of thing rarely translates into a line item on a college application.

It’s dangerous to design your life around getting into college, because the people you have to impress to get into college are not a very discerning audience. At most colleges, it’s not the professors who decide whether you get in, but admissions officers, and they are nowhere near as smart. They’re the NCOs of the intellectual world. They can’t tell how smart you are. The mere existence of prep schools is proof of that.

Right now most of you feel your job in life is to be a promising college applicant. But that means you’re designing your life to satisfy a process so mindless that there’s a whole industry devoted to subverting it. No wonder you become cynical. The malaise you feel is the same that a producer of reality TV shows or a tobacco industry executive feels. And you don’t even get paid a lot.

Rebellion is almost as stupid as obedience. In either case you let yourself be defined by what they tell you to do. The best plan, I think, is to step onto an orthogonal vector. Don’t just do what they tell you, and don’t just refuse to. Instead treat school as a day job. As day jobs go, it’s pretty sweet. You’re done at 3 o’clock, and you can even work on your own stuff while you’re there.

And what’s your real job supposed to be? Unless you’re Mozart, your first task is to figure that out. What are the great things to work on? Where are the imaginative people? And most importantly, what are you interested in? The word “aptitude” is misleading, because it implies something innate. The most powerful sort of aptitude is a consuming interest in some question, and such interests are often acquired tastes.

Kids are curious, but the curiosity I mean has a different shape from kid curiosity. Kid curiosity is broad and shallow; they ask why at random about everything. In most adults this curiosity dries up entirely. It has to: you can’t get anything done if you’re always asking why about everything. But in ambitious adults, instead of drying up, curiosity becomes narrow and deep. The mud flat morphs into a well.

Curiosity turns work into play. For Einstein, relativity wasn’t a book full of hard stuff he had to learn for an exam. It was a mystery he was trying to solve. So it probably felt like less work to him to invent it than it would seem to someone now to learn it in a class.

If you want to do good work, what you need is a great curiosity about a promising question. The critical moment for Einstein was when he looked at Maxwell’s equations and said, what the hell is going on here?

That’s what you need to do: find a question that makes the world interesting. People who do great things look at the same world everyone else does, but notice some odd detail that’s compellingly mysterious.

If it takes years to articulate great questions, what do you do now, at sixteen? Work toward finding one. Great questions don’t appear suddenly. They gradually congeal in your head. And what makes them congeal is experience. So the way to find great questions is not to search for them — not to wander about thinking, what great discovery shall I make? You can’t answer that; if you could, you’d have made it.

Don’t worry if a project doesn’t seem to be on the path to some goal you’re supposed to have. Paths can bend a lot more than you think. So let the path grow out the project. The most important thing is to be excited about it, because it’s by doing that you learn.

Don’t disregard unseemly motivations. One of the most powerful is the desire to be better than other people at something. Hardy said that’s what got him started, and I think the only unusual thing about him is that he admitted it. Another powerful motivator is the desire to do, or know, things you’re not supposed to. Closely related is the desire to do something audacious. Sixteen year olds aren’t supposed to write novels. So if you try, anything you achieve is on the plus side of the ledger; if you fail utterly, you’re doing no worse than expectations. [8]

A key ingredient in many projects, almost a project on its own, is to find good books. Most books are bad. Nearly all textbooks are bad. [9] So don’t assume a subject is to be learned from whatever book on it happens to be closest. You have to search actively for the tiny number of good books.

The important thing is to get out there and do stuff. Instead of waiting to be taught, go out and learn.

I’m just a minor, you may think, I have no money, I have to live at home, I have to do what adults tell me all day long. Well, most adults labor under restrictions just as cumbersome, and they manage to get things done. If you think it’s restrictive being a kid, imagine having kids.